According to the RCA executive Jerry Bradley, Jennings initially attempted to overdub his vocals on a few old Nelson recordings (Nelson had recorded for RCA Victor from 1965 to 1972) but struggled to do so. Genres: Outlaw Country, Country. Nelson, who had taken a verse on the Jennings single, had enjoyed blockbuster success of his own with the release of his 1975 West Texas epic Red Headed Stranger and did again with Stardust in 1978. Jennings' legal problems, including a much publicized cocaine arrest in 1977, were no doubt a distraction and perhaps the inspiration[citation needed] for "I Can Get Off On You", a songwriting collaboration with Nelson (a notorious pothead) that celebrates the triumph of new love over past vices ("Take back the weed, take back the cocaine baby, take back the pills, take back the whiskey too...").

All Countries : 28 Records : Latest Updates : Gallery : Date Order : see Waylon Jennings or Willie Nelson for individual discographies USA … Denny Purcell Lacquer Cut By, Mastered By. This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. Jennings, Nelson, and Kristofferson would go on to enjoy immense success as part of the Outlaw movement in the seventies, with Waylon and Willie recording several albums and embarking on lucrative tours. "[citation needed] While conceding that the album "remains one of their biggest-selling albums," AllMusic thought, "its perennial popularity has more to do with their iconic status - something this album deliberately played up - than the quality of the music, which is, overall, merely good...Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Mike Leech Bass. The first two albums released by the group, as well as the majority of their singles, were not credited to "The Highwaymen," but to "Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson". The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble. After so many one-off collaborations and tours, it was inevitable that they would record an album of duets, although being contracted to different record labels (Waylon with RCA and Willie with Columbia) made matters difficult. This isn't a crippling problem -- the songs are good, as are the performances and the singing, so they're modestly enjoyable -- but they do sound a little distant, and it makes the entire album sound cobbled together: not the deliberate compilation of The Outlaws, but significantly less than a real album from either Waylon or Willie or both of them. Years after its initial 1978 release, Waylon & Willie remains one of their biggest-selling albums, but its perennial popularity has more to do with their iconic status -- something this album deliberately played up -- than the quality of the music, which is, overall, merely good.

Waylon Jennings & Willie Nelson discography and songs: Music profile for Waylon Jennings & Willie Nelson.

This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble.". One of these, of course, is the monster hit "Mammas Don't Let Your Babies Grow Up to Be Cowboys," with two others -- "The Year 2003 Minus 25" and "Don't Cuss the Fiddle" -- being laid-back, funny Kris Kristofferson songs that showcase Waylon & Willie's roguish humor and charm. It propelled the album to the top of the Billboard country albums chart. The following is a complete albums discography of American country music artist Waylon Jennings.

A last call of circular barroom logic, it evenly splits primo world-weary Willie (the quivering waltz 'If You Can Touch Her at All' and bewildered end-of-the-line lament 'It's Not Supposed to Be That Way') with top-tier wobbly Waylon (his chilling cinéma vérité version of Fleetwood Mac's 'Gold Dust Woman' and the light-touch pathos of 'The Wurlitzer Prize'). Jennings' cover version of Fleetwood Mac's "Gold Dust Woman" also addresses drugs, and was another example of Jennings' penchant for appropriating FM rock staples; he had previously covered Neil Young's "Are You Ready for the Country" and the Marshall Tucker Band's "Can't You See". Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Instead, he approached Columbia Records in Nashville with the idea of recording an album of new duets. It also reached 42 on the Billboard Hot 100, and won the 1979 Grammy Award for Best Country Performance by a Duo or Group with Vocal. The original liner notes, complimenting Jennings and Nelson on their ability to surprise and deliver solid material, were written by Chet Flippo of Rolling Stone. Studio albums 1960s. Country supergroup featuring Waylon Jennings, Willie Nelson, Johnny Cash and Kris Kristofferson. ", Learn how and when to remove this template message, The Wurlitzer Prize (I Don't Want to Get Over You), Mammas Don't Let Your Babies Grow Up to Be Cowboys, Luckenbach, Texas (Back to the Basics of Love), Grammy Award for Best Country Performance by a Duo or Group with Vocal, Christgau's Record Guide: Rock Albums of the Seventies, https://en.wikipedia.org/w/index.php?title=Waylon_%26_Willie&oldid=983056648, Creative Commons Attribution-ShareAlike License, "It's Not Supposed to Be That Way" (Nelson) – 3:20, "I Can Get Off on You" (Jennings, Nelson) – 2:24, "Don't Cuss the Fiddle" (Kristofferson) – 3:04, This page was last edited on 12 October 2020, at 00:21. The music journalist Stephen Thomas Erlewine of AllMusic observed, "...in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in command of their talents here. Johnny Christopher Guitar, Vocals. For a discography as a member of The Highwaymen, see The Highwaymen discography.

Bob Jones (16) Art Direction, Design.

Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings discography; Studio albums: 45: Live albums: 5: Compilation albums: 28: Collaborations: 16: The following is a complete albums discography of American country music artist Waylon Jennings. Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Canada: PB-11198: Jan 1978: 7" 1: 8.0 Germany: Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Germany: PB 1198: 1978: 7" 1 UK: Waylon Jennings And Willie Nelson A: Good Hearted Woman B: … And that's when he played 'Mammas. The Waylon-sung "The Wurlitzer Prize (I Don't Want to Get Over You)" also reached number 1, while Nelson's reading of Lee Clayton's "If You Can Touch Her at All" reached #5. For the singles, see Waylon Jennings singles discography. By 1978, Jennings and Nelson had attained country music superstar status. Nelson's guitar playing is noticeably absent on the recording. Released in early 1978, a few months after Jennings ' Ol' Waylon spent 13 weeks on the top of the charts in the summer of 1977, thanks in part to the hit single "Luckenbach, Texas" featuring a chorus sung by Nelson, the album was intended as a celebration of the peak of outlaw, but in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in … For the singles, see Waylon Jennings singles discography. Rolling Stone ranked Waylon and Willie #30 on its "50 Country Albums Every Rock Fan Should Own", saying, "These old stoner compadres teamed up with startling purpose for this consistently poignant, pleasingly loopy Number One country smash. Waylon & Willie was reissued by RCA Records in 2001. He said, 'What about this one?' Wanted! He looked at me and said, 'You don't really like them?'

The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released by RCA Records in 1976.The album consists entirely of previously released material. Title Details … Jennings and Nelson had achieved great success previously, winning the Country Music Association Award for Duo of the Year for their song "Good Hearted Woman" in 1976, and were the marquee attractions on the Wanted! For a discography as a member of The Highwaymen, see The Highwaymen discography. The album contains three songs sung individually by Jennings and Nelson, as well as five duets. The Nelson-sung "It's Not Supposed to Be That Way" and "If You Can Touch Her at All" had appeared on Jennings' 1974 album This Time (which Nelson had co-produced), as had the song "Pick Up The Tempo", which is on this LP as a duet. Willie Nelson Guitar, Vocals. It sat on the top of the country charts for 11 weeks and went double platinum, making it one of the biggest hits in either Waylon Jennings' or Willie Nelson's catalog. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Released to capitalize on the new outlaw country movement, Wanted! Albums include Waylon & Willie… Waylon & Willie is a duet album by Waylon Jennings and Willie Nelson, released by RCA Records in 1978. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Mammas Don't Let Your Babies Grow Up to Be Cowboys / Midnight Rider, (Sittin' On the) Dock Of the Bay / Luckenbach Texas, Take It to the Limit / Till I Gain Control Again, If I Can Find a Clean Shirt / Put Me on a Train Back to Texas, The Best of Shel Silverstein: His Words His Songs His Friends, St. Vincent's Mixtape Delivery Service [ep. Near the conclusion of Kris Kristofferson's "Don't Cuss the Fiddle", Jennings and Nelson began singing "Good Hearted Woman", which has an identical musical arrangement. Mammas Don't Let Your Babies Grow Up to Be Cowboys, The Wurlitzer Prize (I Don't Want to Get Over You).

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According to the RCA executive Jerry Bradley, Jennings initially attempted to overdub his vocals on a few old Nelson recordings (Nelson had recorded for RCA Victor from 1965 to 1972) but struggled to do so. Genres: Outlaw Country, Country. Nelson, who had taken a verse on the Jennings single, had enjoyed blockbuster success of his own with the release of his 1975 West Texas epic Red Headed Stranger and did again with Stardust in 1978. Jennings' legal problems, including a much publicized cocaine arrest in 1977, were no doubt a distraction and perhaps the inspiration[citation needed] for "I Can Get Off On You", a songwriting collaboration with Nelson (a notorious pothead) that celebrates the triumph of new love over past vices ("Take back the weed, take back the cocaine baby, take back the pills, take back the whiskey too...").

All Countries : 28 Records : Latest Updates : Gallery : Date Order : see Waylon Jennings or Willie Nelson for individual discographies USA … Denny Purcell Lacquer Cut By, Mastered By. This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. Jennings, Nelson, and Kristofferson would go on to enjoy immense success as part of the Outlaw movement in the seventies, with Waylon and Willie recording several albums and embarking on lucrative tours. "[citation needed] While conceding that the album "remains one of their biggest-selling albums," AllMusic thought, "its perennial popularity has more to do with their iconic status - something this album deliberately played up - than the quality of the music, which is, overall, merely good...Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Mike Leech Bass. The first two albums released by the group, as well as the majority of their singles, were not credited to "The Highwaymen," but to "Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson". The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble. After so many one-off collaborations and tours, it was inevitable that they would record an album of duets, although being contracted to different record labels (Waylon with RCA and Willie with Columbia) made matters difficult. This isn't a crippling problem -- the songs are good, as are the performances and the singing, so they're modestly enjoyable -- but they do sound a little distant, and it makes the entire album sound cobbled together: not the deliberate compilation of The Outlaws, but significantly less than a real album from either Waylon or Willie or both of them. Years after its initial 1978 release, Waylon & Willie remains one of their biggest-selling albums, but its perennial popularity has more to do with their iconic status -- something this album deliberately played up -- than the quality of the music, which is, overall, merely good.

Waylon Jennings & Willie Nelson discography and songs: Music profile for Waylon Jennings & Willie Nelson.

This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble.". One of these, of course, is the monster hit "Mammas Don't Let Your Babies Grow Up to Be Cowboys," with two others -- "The Year 2003 Minus 25" and "Don't Cuss the Fiddle" -- being laid-back, funny Kris Kristofferson songs that showcase Waylon & Willie's roguish humor and charm. It propelled the album to the top of the Billboard country albums chart. The following is a complete albums discography of American country music artist Waylon Jennings.

A last call of circular barroom logic, it evenly splits primo world-weary Willie (the quivering waltz 'If You Can Touch Her at All' and bewildered end-of-the-line lament 'It's Not Supposed to Be That Way') with top-tier wobbly Waylon (his chilling cinéma vérité version of Fleetwood Mac's 'Gold Dust Woman' and the light-touch pathos of 'The Wurlitzer Prize'). Jennings' cover version of Fleetwood Mac's "Gold Dust Woman" also addresses drugs, and was another example of Jennings' penchant for appropriating FM rock staples; he had previously covered Neil Young's "Are You Ready for the Country" and the Marshall Tucker Band's "Can't You See". Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Instead, he approached Columbia Records in Nashville with the idea of recording an album of new duets. It also reached 42 on the Billboard Hot 100, and won the 1979 Grammy Award for Best Country Performance by a Duo or Group with Vocal. The original liner notes, complimenting Jennings and Nelson on their ability to surprise and deliver solid material, were written by Chet Flippo of Rolling Stone. Studio albums 1960s. Country supergroup featuring Waylon Jennings, Willie Nelson, Johnny Cash and Kris Kristofferson. ", Learn how and when to remove this template message, The Wurlitzer Prize (I Don't Want to Get Over You), Mammas Don't Let Your Babies Grow Up to Be Cowboys, Luckenbach, Texas (Back to the Basics of Love), Grammy Award for Best Country Performance by a Duo or Group with Vocal, Christgau's Record Guide: Rock Albums of the Seventies, https://en.wikipedia.org/w/index.php?title=Waylon_%26_Willie&oldid=983056648, Creative Commons Attribution-ShareAlike License, "It's Not Supposed to Be That Way" (Nelson) – 3:20, "I Can Get Off on You" (Jennings, Nelson) – 2:24, "Don't Cuss the Fiddle" (Kristofferson) – 3:04, This page was last edited on 12 October 2020, at 00:21. The music journalist Stephen Thomas Erlewine of AllMusic observed, "...in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in command of their talents here. Johnny Christopher Guitar, Vocals. For a discography as a member of The Highwaymen, see The Highwaymen discography.

Bob Jones (16) Art Direction, Design.

Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings discography; Studio albums: 45: Live albums: 5: Compilation albums: 28: Collaborations: 16: The following is a complete albums discography of American country music artist Waylon Jennings. Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Canada: PB-11198: Jan 1978: 7" 1: 8.0 Germany: Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Germany: PB 1198: 1978: 7" 1 UK: Waylon Jennings And Willie Nelson A: Good Hearted Woman B: … And that's when he played 'Mammas. The Waylon-sung "The Wurlitzer Prize (I Don't Want to Get Over You)" also reached number 1, while Nelson's reading of Lee Clayton's "If You Can Touch Her at All" reached #5. For the singles, see Waylon Jennings singles discography. By 1978, Jennings and Nelson had attained country music superstar status. Nelson's guitar playing is noticeably absent on the recording. Released in early 1978, a few months after Jennings ' Ol' Waylon spent 13 weeks on the top of the charts in the summer of 1977, thanks in part to the hit single "Luckenbach, Texas" featuring a chorus sung by Nelson, the album was intended as a celebration of the peak of outlaw, but in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in … For the singles, see Waylon Jennings singles discography. Rolling Stone ranked Waylon and Willie #30 on its "50 Country Albums Every Rock Fan Should Own", saying, "These old stoner compadres teamed up with startling purpose for this consistently poignant, pleasingly loopy Number One country smash. Waylon & Willie was reissued by RCA Records in 2001. He said, 'What about this one?' Wanted! He looked at me and said, 'You don't really like them?'

The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released by RCA Records in 1976.The album consists entirely of previously released material. Title Details … Jennings and Nelson had achieved great success previously, winning the Country Music Association Award for Duo of the Year for their song "Good Hearted Woman" in 1976, and were the marquee attractions on the Wanted! For a discography as a member of The Highwaymen, see The Highwaymen discography. The album contains three songs sung individually by Jennings and Nelson, as well as five duets. The Nelson-sung "It's Not Supposed to Be That Way" and "If You Can Touch Her at All" had appeared on Jennings' 1974 album This Time (which Nelson had co-produced), as had the song "Pick Up The Tempo", which is on this LP as a duet. Willie Nelson Guitar, Vocals. It sat on the top of the country charts for 11 weeks and went double platinum, making it one of the biggest hits in either Waylon Jennings' or Willie Nelson's catalog. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Released to capitalize on the new outlaw country movement, Wanted! Albums include Waylon & Willie… Waylon & Willie is a duet album by Waylon Jennings and Willie Nelson, released by RCA Records in 1978. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Mammas Don't Let Your Babies Grow Up to Be Cowboys / Midnight Rider, (Sittin' On the) Dock Of the Bay / Luckenbach Texas, Take It to the Limit / Till I Gain Control Again, If I Can Find a Clean Shirt / Put Me on a Train Back to Texas, The Best of Shel Silverstein: His Words His Songs His Friends, St. Vincent's Mixtape Delivery Service [ep. Near the conclusion of Kris Kristofferson's "Don't Cuss the Fiddle", Jennings and Nelson began singing "Good Hearted Woman", which has an identical musical arrangement. Mammas Don't Let Your Babies Grow Up to Be Cowboys, The Wurlitzer Prize (I Don't Want to Get Over You).

The Parent Trap Full Movie Google Drive, Good Foods To Eat On A Night Shift, Benefits Of Play At Work, The Book Company Address, Vermont Pacers Aau, Vineeth Wife, Homemade Dog Shampoo That Smells Good, Chaitra Navratri 2020 Colours With Date, Abbreviation For Thursday, Terlingua Floor Mats, Harry Styles Tattoo Cover Up, Trinity College Texas Football Division, Spiritual Hymn, Standing Room Only Utah Utes, Shopping Spree Board Game, Skyfall Trailer, Zedd Net Worth, Chris The Meme God Wife, Safe House Wiki, Maneuver Meaning In Gujarati, Snow Guyra, Joe E Ross Wife, Nfl Uniform Changes 2021, Don't Blame The Kid Full Movie 123movies, Nfl Playoff Bracket 2019 Printable, Real Madrid Vs Barcelona 10-0, Fourth Man In The Fire Hillsong, Schools That Accept Expelled Students, Sammy Davis Jr Last Dance, Runway Model Diet Plan, Tendu Leaves Uses, Dark Lane Demo Tapes Tracklist, Mop Bucket With Wringer, The Next Time You Say Forever Lyrics, Russian Chess Books, Cram Meaning In Tamil, Spending Money Meme, Ariana Grande Techno, Sonoma Raceway Wednesday Night Drags, …" />

According to the RCA executive Jerry Bradley, Jennings initially attempted to overdub his vocals on a few old Nelson recordings (Nelson had recorded for RCA Victor from 1965 to 1972) but struggled to do so. Genres: Outlaw Country, Country. Nelson, who had taken a verse on the Jennings single, had enjoyed blockbuster success of his own with the release of his 1975 West Texas epic Red Headed Stranger and did again with Stardust in 1978. Jennings' legal problems, including a much publicized cocaine arrest in 1977, were no doubt a distraction and perhaps the inspiration[citation needed] for "I Can Get Off On You", a songwriting collaboration with Nelson (a notorious pothead) that celebrates the triumph of new love over past vices ("Take back the weed, take back the cocaine baby, take back the pills, take back the whiskey too...").

All Countries : 28 Records : Latest Updates : Gallery : Date Order : see Waylon Jennings or Willie Nelson for individual discographies USA … Denny Purcell Lacquer Cut By, Mastered By. This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. Jennings, Nelson, and Kristofferson would go on to enjoy immense success as part of the Outlaw movement in the seventies, with Waylon and Willie recording several albums and embarking on lucrative tours. "[citation needed] While conceding that the album "remains one of their biggest-selling albums," AllMusic thought, "its perennial popularity has more to do with their iconic status - something this album deliberately played up - than the quality of the music, which is, overall, merely good...Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Mike Leech Bass. The first two albums released by the group, as well as the majority of their singles, were not credited to "The Highwaymen," but to "Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson". The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble. After so many one-off collaborations and tours, it was inevitable that they would record an album of duets, although being contracted to different record labels (Waylon with RCA and Willie with Columbia) made matters difficult. This isn't a crippling problem -- the songs are good, as are the performances and the singing, so they're modestly enjoyable -- but they do sound a little distant, and it makes the entire album sound cobbled together: not the deliberate compilation of The Outlaws, but significantly less than a real album from either Waylon or Willie or both of them. Years after its initial 1978 release, Waylon & Willie remains one of their biggest-selling albums, but its perennial popularity has more to do with their iconic status -- something this album deliberately played up -- than the quality of the music, which is, overall, merely good.

Waylon Jennings & Willie Nelson discography and songs: Music profile for Waylon Jennings & Willie Nelson.

This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble.". One of these, of course, is the monster hit "Mammas Don't Let Your Babies Grow Up to Be Cowboys," with two others -- "The Year 2003 Minus 25" and "Don't Cuss the Fiddle" -- being laid-back, funny Kris Kristofferson songs that showcase Waylon & Willie's roguish humor and charm. It propelled the album to the top of the Billboard country albums chart. The following is a complete albums discography of American country music artist Waylon Jennings.

A last call of circular barroom logic, it evenly splits primo world-weary Willie (the quivering waltz 'If You Can Touch Her at All' and bewildered end-of-the-line lament 'It's Not Supposed to Be That Way') with top-tier wobbly Waylon (his chilling cinéma vérité version of Fleetwood Mac's 'Gold Dust Woman' and the light-touch pathos of 'The Wurlitzer Prize'). Jennings' cover version of Fleetwood Mac's "Gold Dust Woman" also addresses drugs, and was another example of Jennings' penchant for appropriating FM rock staples; he had previously covered Neil Young's "Are You Ready for the Country" and the Marshall Tucker Band's "Can't You See". Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Instead, he approached Columbia Records in Nashville with the idea of recording an album of new duets. It also reached 42 on the Billboard Hot 100, and won the 1979 Grammy Award for Best Country Performance by a Duo or Group with Vocal. The original liner notes, complimenting Jennings and Nelson on their ability to surprise and deliver solid material, were written by Chet Flippo of Rolling Stone. Studio albums 1960s. Country supergroup featuring Waylon Jennings, Willie Nelson, Johnny Cash and Kris Kristofferson. ", Learn how and when to remove this template message, The Wurlitzer Prize (I Don't Want to Get Over You), Mammas Don't Let Your Babies Grow Up to Be Cowboys, Luckenbach, Texas (Back to the Basics of Love), Grammy Award for Best Country Performance by a Duo or Group with Vocal, Christgau's Record Guide: Rock Albums of the Seventies, https://en.wikipedia.org/w/index.php?title=Waylon_%26_Willie&oldid=983056648, Creative Commons Attribution-ShareAlike License, "It's Not Supposed to Be That Way" (Nelson) – 3:20, "I Can Get Off on You" (Jennings, Nelson) – 2:24, "Don't Cuss the Fiddle" (Kristofferson) – 3:04, This page was last edited on 12 October 2020, at 00:21. The music journalist Stephen Thomas Erlewine of AllMusic observed, "...in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in command of their talents here. Johnny Christopher Guitar, Vocals. For a discography as a member of The Highwaymen, see The Highwaymen discography.

Bob Jones (16) Art Direction, Design.

Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings discography; Studio albums: 45: Live albums: 5: Compilation albums: 28: Collaborations: 16: The following is a complete albums discography of American country music artist Waylon Jennings. Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Canada: PB-11198: Jan 1978: 7" 1: 8.0 Germany: Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Germany: PB 1198: 1978: 7" 1 UK: Waylon Jennings And Willie Nelson A: Good Hearted Woman B: … And that's when he played 'Mammas. The Waylon-sung "The Wurlitzer Prize (I Don't Want to Get Over You)" also reached number 1, while Nelson's reading of Lee Clayton's "If You Can Touch Her at All" reached #5. For the singles, see Waylon Jennings singles discography. By 1978, Jennings and Nelson had attained country music superstar status. Nelson's guitar playing is noticeably absent on the recording. Released in early 1978, a few months after Jennings ' Ol' Waylon spent 13 weeks on the top of the charts in the summer of 1977, thanks in part to the hit single "Luckenbach, Texas" featuring a chorus sung by Nelson, the album was intended as a celebration of the peak of outlaw, but in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in … For the singles, see Waylon Jennings singles discography. Rolling Stone ranked Waylon and Willie #30 on its "50 Country Albums Every Rock Fan Should Own", saying, "These old stoner compadres teamed up with startling purpose for this consistently poignant, pleasingly loopy Number One country smash. Waylon & Willie was reissued by RCA Records in 2001. He said, 'What about this one?' Wanted! He looked at me and said, 'You don't really like them?'

The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released by RCA Records in 1976.The album consists entirely of previously released material. Title Details … Jennings and Nelson had achieved great success previously, winning the Country Music Association Award for Duo of the Year for their song "Good Hearted Woman" in 1976, and were the marquee attractions on the Wanted! For a discography as a member of The Highwaymen, see The Highwaymen discography. The album contains three songs sung individually by Jennings and Nelson, as well as five duets. The Nelson-sung "It's Not Supposed to Be That Way" and "If You Can Touch Her at All" had appeared on Jennings' 1974 album This Time (which Nelson had co-produced), as had the song "Pick Up The Tempo", which is on this LP as a duet. Willie Nelson Guitar, Vocals. It sat on the top of the country charts for 11 weeks and went double platinum, making it one of the biggest hits in either Waylon Jennings' or Willie Nelson's catalog. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Released to capitalize on the new outlaw country movement, Wanted! Albums include Waylon & Willie… Waylon & Willie is a duet album by Waylon Jennings and Willie Nelson, released by RCA Records in 1978. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Mammas Don't Let Your Babies Grow Up to Be Cowboys / Midnight Rider, (Sittin' On the) Dock Of the Bay / Luckenbach Texas, Take It to the Limit / Till I Gain Control Again, If I Can Find a Clean Shirt / Put Me on a Train Back to Texas, The Best of Shel Silverstein: His Words His Songs His Friends, St. Vincent's Mixtape Delivery Service [ep. Near the conclusion of Kris Kristofferson's "Don't Cuss the Fiddle", Jennings and Nelson began singing "Good Hearted Woman", which has an identical musical arrangement. Mammas Don't Let Your Babies Grow Up to Be Cowboys, The Wurlitzer Prize (I Don't Want to Get Over You).

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waylon and willie discography

I said 'Well, we'll do well with them, but I don't think there's one as good as what we had with the Outlaws.' Willie Nelson And Waylon Jennings - Discography. Although it was presented as a new release, several of the tracks had been recorded for some time and had been redone using overdubbing.

Complete your Waylon Jennings & Willie Nelson collection. The other, "Pick Up the Tempo," is one of Willie's classics, but it, like Nelson's three solo tracks, is a previously released Waylon recording stripped of his vocals and overdubbed by Nelson. Released in early 1978, a few months after Jennings' Ol' Waylon spent 13 weeks on the top of the charts in the summer of 1977, thanks in part to the hit single "Luckenbach, Texas" featuring a chorus sung by Nelson, the album was intended as a celebration of the peak of outlaw, but in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in command of their talents here.

According to the RCA executive Jerry Bradley, Jennings initially attempted to overdub his vocals on a few old Nelson recordings (Nelson had recorded for RCA Victor from 1965 to 1972) but struggled to do so. Genres: Outlaw Country, Country. Nelson, who had taken a verse on the Jennings single, had enjoyed blockbuster success of his own with the release of his 1975 West Texas epic Red Headed Stranger and did again with Stardust in 1978. Jennings' legal problems, including a much publicized cocaine arrest in 1977, were no doubt a distraction and perhaps the inspiration[citation needed] for "I Can Get Off On You", a songwriting collaboration with Nelson (a notorious pothead) that celebrates the triumph of new love over past vices ("Take back the weed, take back the cocaine baby, take back the pills, take back the whiskey too...").

All Countries : 28 Records : Latest Updates : Gallery : Date Order : see Waylon Jennings or Willie Nelson for individual discographies USA … Denny Purcell Lacquer Cut By, Mastered By. This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. Jennings, Nelson, and Kristofferson would go on to enjoy immense success as part of the Outlaw movement in the seventies, with Waylon and Willie recording several albums and embarking on lucrative tours. "[citation needed] While conceding that the album "remains one of their biggest-selling albums," AllMusic thought, "its perennial popularity has more to do with their iconic status - something this album deliberately played up - than the quality of the music, which is, overall, merely good...Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Mike Leech Bass. The first two albums released by the group, as well as the majority of their singles, were not credited to "The Highwaymen," but to "Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson". The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble. After so many one-off collaborations and tours, it was inevitable that they would record an album of duets, although being contracted to different record labels (Waylon with RCA and Willie with Columbia) made matters difficult. This isn't a crippling problem -- the songs are good, as are the performances and the singing, so they're modestly enjoyable -- but they do sound a little distant, and it makes the entire album sound cobbled together: not the deliberate compilation of The Outlaws, but significantly less than a real album from either Waylon or Willie or both of them. Years after its initial 1978 release, Waylon & Willie remains one of their biggest-selling albums, but its perennial popularity has more to do with their iconic status -- something this album deliberately played up -- than the quality of the music, which is, overall, merely good.

Waylon Jennings & Willie Nelson discography and songs: Music profile for Waylon Jennings & Willie Nelson.

This was the first time that the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs. The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble.". One of these, of course, is the monster hit "Mammas Don't Let Your Babies Grow Up to Be Cowboys," with two others -- "The Year 2003 Minus 25" and "Don't Cuss the Fiddle" -- being laid-back, funny Kris Kristofferson songs that showcase Waylon & Willie's roguish humor and charm. It propelled the album to the top of the Billboard country albums chart. The following is a complete albums discography of American country music artist Waylon Jennings.

A last call of circular barroom logic, it evenly splits primo world-weary Willie (the quivering waltz 'If You Can Touch Her at All' and bewildered end-of-the-line lament 'It's Not Supposed to Be That Way') with top-tier wobbly Waylon (his chilling cinéma vérité version of Fleetwood Mac's 'Gold Dust Woman' and the light-touch pathos of 'The Wurlitzer Prize'). Jennings' cover version of Fleetwood Mac's "Gold Dust Woman" also addresses drugs, and was another example of Jennings' penchant for appropriating FM rock staples; he had previously covered Neil Young's "Are You Ready for the Country" and the Marshall Tucker Band's "Can't You See". Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is. Instead, he approached Columbia Records in Nashville with the idea of recording an album of new duets. It also reached 42 on the Billboard Hot 100, and won the 1979 Grammy Award for Best Country Performance by a Duo or Group with Vocal. The original liner notes, complimenting Jennings and Nelson on their ability to surprise and deliver solid material, were written by Chet Flippo of Rolling Stone. Studio albums 1960s. Country supergroup featuring Waylon Jennings, Willie Nelson, Johnny Cash and Kris Kristofferson. ", Learn how and when to remove this template message, The Wurlitzer Prize (I Don't Want to Get Over You), Mammas Don't Let Your Babies Grow Up to Be Cowboys, Luckenbach, Texas (Back to the Basics of Love), Grammy Award for Best Country Performance by a Duo or Group with Vocal, Christgau's Record Guide: Rock Albums of the Seventies, https://en.wikipedia.org/w/index.php?title=Waylon_%26_Willie&oldid=983056648, Creative Commons Attribution-ShareAlike License, "It's Not Supposed to Be That Way" (Nelson) – 3:20, "I Can Get Off on You" (Jennings, Nelson) – 2:24, "Don't Cuss the Fiddle" (Kristofferson) – 3:04, This page was last edited on 12 October 2020, at 00:21. The music journalist Stephen Thomas Erlewine of AllMusic observed, "...in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in command of their talents here. Johnny Christopher Guitar, Vocals. For a discography as a member of The Highwaymen, see The Highwaymen discography.

Bob Jones (16) Art Direction, Design.

Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings discography; Studio albums: 45: Live albums: 5: Compilation albums: 28: Collaborations: 16: The following is a complete albums discography of American country music artist Waylon Jennings. Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Canada: PB-11198: Jan 1978: 7" 1: 8.0 Germany: Waylon Jennings And Willie Nelson A: Mamas Don't Let Your Babies Grow Up To Be Cowboys B: I Can Get Off On You: RCA Victor Germany: PB 1198: 1978: 7" 1 UK: Waylon Jennings And Willie Nelson A: Good Hearted Woman B: … And that's when he played 'Mammas. The Waylon-sung "The Wurlitzer Prize (I Don't Want to Get Over You)" also reached number 1, while Nelson's reading of Lee Clayton's "If You Can Touch Her at All" reached #5. For the singles, see Waylon Jennings singles discography. By 1978, Jennings and Nelson had attained country music superstar status. Nelson's guitar playing is noticeably absent on the recording. Released in early 1978, a few months after Jennings ' Ol' Waylon spent 13 weeks on the top of the charts in the summer of 1977, thanks in part to the hit single "Luckenbach, Texas" featuring a chorus sung by Nelson, the album was intended as a celebration of the peak of outlaw, but in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in … For the singles, see Waylon Jennings singles discography. Rolling Stone ranked Waylon and Willie #30 on its "50 Country Albums Every Rock Fan Should Own", saying, "These old stoner compadres teamed up with startling purpose for this consistently poignant, pleasingly loopy Number One country smash. Waylon & Willie was reissued by RCA Records in 2001. He said, 'What about this one?' Wanted! He looked at me and said, 'You don't really like them?'

The Outlaws is a compilation album by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, released by RCA Records in 1976.The album consists entirely of previously released material. Title Details … Jennings and Nelson had achieved great success previously, winning the Country Music Association Award for Duo of the Year for their song "Good Hearted Woman" in 1976, and were the marquee attractions on the Wanted! For a discography as a member of The Highwaymen, see The Highwaymen discography. The album contains three songs sung individually by Jennings and Nelson, as well as five duets. The Nelson-sung "It's Not Supposed to Be That Way" and "If You Can Touch Her at All" had appeared on Jennings' 1974 album This Time (which Nelson had co-produced), as had the song "Pick Up The Tempo", which is on this LP as a duet. Willie Nelson Guitar, Vocals. It sat on the top of the country charts for 11 weeks and went double platinum, making it one of the biggest hits in either Waylon Jennings' or Willie Nelson's catalog. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Released to capitalize on the new outlaw country movement, Wanted! Albums include Waylon & Willie… Waylon & Willie is a duet album by Waylon Jennings and Willie Nelson, released by RCA Records in 1978. In the US, it stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts. Mammas Don't Let Your Babies Grow Up to Be Cowboys / Midnight Rider, (Sittin' On the) Dock Of the Bay / Luckenbach Texas, Take It to the Limit / Till I Gain Control Again, If I Can Find a Clean Shirt / Put Me on a Train Back to Texas, The Best of Shel Silverstein: His Words His Songs His Friends, St. Vincent's Mixtape Delivery Service [ep. Near the conclusion of Kris Kristofferson's "Don't Cuss the Fiddle", Jennings and Nelson began singing "Good Hearted Woman", which has an identical musical arrangement. Mammas Don't Let Your Babies Grow Up to Be Cowboys, The Wurlitzer Prize (I Don't Want to Get Over You).

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