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Like Black Panther and Beyoncé’s masterful Coachella performance, I still can’t believe it happened in the year 2018. The 22-year-old Norwegian pop singer has yet to release her debut album (coming in early 2019), but god, “Raw”—about being unapologetically true to yourself, no matter the cost—is bursting with feeling. How the hell Lady Gaga went about not singing ballads for so long we’ll never know, but thank goodness she did.

Sure, it was made for an Apple advert of all things, but who doesn’t love a tender Christmas tune? Need a music mix to take you into the New Year?

The chorus to the Aussie rocker’s addictive tune paraphrases the famous Margaret Atwood quote, “Men are afraid that women will laugh at them; women are afraid that men will kill them.” And her jangly, toxic masculinity-skewering ditty couldn’t be timelier. 15. After its release on July 13, it featured on number 10 of us billboard hot 100. Let’s take a look at Her Best 10 songs in 2018 .

The song was released on September 18, 2018. And the first song off their major-label debut Iridescence—the first LP without jettisoned member Ameer Vann, following sexual-misconduct allegations—re-introduced them to the world in scintillating fashion, over a distorted, Dead Prez-esque beat.

Need a music mix to take you into the New Year? With Sweetener, the pop diva rebounded from a horrifying terrorist attack to create her most fully-realized album yet, but this, the debut single from her next one—inspired by a tweet sent to ex-fiancé Pete Davidson—is Ari’s biggest earworm yet, and comes equipped with a nice message about learning and growing from past relationships.

But in January, we were blessed with an absolute banger of a retro pop song, In Living Color-inspired music video and all. The first time I tasted somebody else’s spit, I had a coughing fit… It’s the best opening line of any song this year, and the Virginia singer-songwriter doesn’t let up from there, as it proceeds to crescendo skyward. At 9 minutes and 36 seconds, it’s the longest song on the list—and of Lana’s career. It’s the hip-hop “Stairway to Heaven.”. Bruno Mars ft. Cardi B – “Finesse (Remix)”. And, while “Nice for What” topped the charts and “In My Feelings” sparked memes, his best song was “Mob Ties,” a paranoid track that sees the wordsmith at peak insecure, flexing his supposed criminal connections to ward off potential crown-snatchers.

Kanye’s had one hell of a 2018—I know it, you know it, the American people know it—but still managed to create plenty of exciting music whilst shacked up in Wyoming, from Pusha T to Kids See Ghosts. 3. Dom’s never been better. This young lady is going to be a very big deal. And the effort clearly paid off, gifting us with an addictive anthem on the broken relationships that shape the person we’ve become. Send it to The Daily Beast here. Courtney Barnett – “Nameless, Faceless”. If ever his reign was in doubt, 2018 sealed it: Drake is the biggest rap star on the planet. LISTEN UP.

8. Ariana Grande The light is Coming ft. Nicki Minaj (2018) Musique Ariana Grande The light is Coming ft. Nicki Minaj 248 Ariana Grande God is a woman (2018) Musique Ariana Grande God is a woman La chanson est n° 92 dans le Top 100 musiques internationales 2018 And it’s a damn shame, because the album’s packed with aurally audacious tunes like “Make Me Feel,” which sounds like the late Prince in his prime. We’ve got some recommendations.

1. No song was more urgent, and more necessary. DOWNLOAD HERE . The guitar stylings of Jonny Greenwood are noticeably absent on much of the Radiohead frontman’s solo oeuvre, but this “waltz… about our bodies [and] what they mean for our salvation,” created for Luca Guadagnino’s Suspiria remake, is nothing short of hypnotic.

The song runs for … Kanye West ft. 070 Shake, Kid Cudi & PARTYNEXTDOOR – “Ghost Town”.

The chorus still gives me chills. 18. The first time I saw A Star Is Born, at the Venice Film Festival in early September (with very low expectations), this song was stuck in my head for days. The French singer’s sophomore album, Chris, is one of the very best of 2018, and this self-described “cathedral” of a tune—filled with God-questioning and suicidal ideation, over a catchy disco beat—is remarkably raw, and was stuck in my head for the better part of a month.

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