Le premier simple Getting Away With It, avec Neil Tennant dans les chœurs, atteignit la 12 e place dans les ventes de simples au Royaume-Uni, et se classe également aux États-Unis en 1990.
The fruits of this union became "Getting Away with It", Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies. The mournful 14th LP by the Bristol electronic pioneer delves deep into grief following the death of his daughter. And unlike him, "Twisted Tenderness" happens to be my favourite album, where Johnny Marr really shines. Discover music on Discogs, the largest online music database. Explore releases from De Electronica's at Discogs. After injuries sustained in a car crash derailed her career, the singer/songwriter returns with life-affirming pop indebted to the '80s and '90s. But on vinyl, there is the offending track, at the start of Side 2, getting in the way. Come on, guys! “Soviet” should be at the end of a side, with “Get The Message” starting the next side.
Instead of spending a small fortune printing photos at the lab or at home, you can make a one-time investment in an electronic picture frame to show off an entire range of photos that can be refreshed anytime. [citation needed] The drums on this record were played by ABC's David Palmer and the string arrangement was written by Anne Dudley. First signed to Factory, later to Parlophone. Raise the Pressure was released in July 1996 on the Parlophone label in the UK and Warner Bros. Like its predecessor it fused dance music with a guitar-led approach, but some reviewers felt its production was too rich and distracted from the songs. I wouldn't go as far as calling him a guitar virtuoso, but that's something you certainly won't hear in New Order's stuff. Though most all early electronica was danceable, by the beginning of the '90s, producers were also making music for the headphones and chill-out areas as well, resulting in dozens of stylistic fusions like ambient-house, experimental techno, tech-house, electro-techno, etc. Contrary to TIM, I like Electronic a lot (as much as New Order) largely because of Bernard Sumner's poignant poetry and stylish vocals.
It doesn't really have a standout moment like "Getting Away With It", but more enjoyable as an album. Fantastic, Fantastic weight, quality, sound, presentation, everything weight, quality, sound, presentation, everything, a perfect item.
Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. It's worth the twenty. The French duo tone down the technicolor in favor of a more expressive sound that's still hooky and fun. The album spawned two guitar oriented singles, "Forbidden City" [UK #14] and "For You" [UK #16], with the dancier "Second Nature" issued in February 1997 and reaching UK #35. Harsh reviews were thrown at them when they made a sub-par album like "Release the Pressure" (though a lot of bands have to sandpaper their eyeballs to make something that good); and when they did make brilliant albums, I don't feel that they were taken seriously. Escape will cancel and close the window. 7243 498345 2 1, 498 3452, 7243 4 98345 2 1, 4983452, Featured Tracks From: Electronic Twisted Tenderness, DYNAMO! I will put it on at least once every year since it came out and am still blown away by the production and quality of each song.
It's just wrong that Side 2 starts with "Gangster" which is probably the weakest song on this. Very clean vinyl (sound and looks). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. Lisa (Japanese musician, born 1974) discography, https://en.wikipedia.org/w/index.php?title=Category:Electronic_music_discographies&oldid=969816920, Template Category TOC via CatAutoTOC on category with 201–300 pages, CatAutoTOC generates standard Category TOC, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 July 2020, at 15:42. Some tracks really don’t sound good. Formed around 1988 by Bernard Sumner (Joy Division, New Order) and Johnny Marr (The Smiths) to follow a more "electronic" style of music, blending synthesizers with guitars and rock with contemporary dance music. They co-wrote the majority of their output between 1989 and 1998,[a] collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. In 1989, Pet Shop Boys singer Neil Tennant suggested a collaboration when he heard of the budding partnership through sleeve designer Mark Farrow. Find Electronic bio, music, credits, awards, & streaming links on AllMusic - Alternative dance super duo formed by Brit-pop… If you can find a copy, worth picking up. Typical for the many styles gathered under the umbrella was a focus on danceable grooves, very loose song structure (if any), and, in many producers, a relentless desire to find a new sound no matter how tepid the results. Reaching back to grab the grooves of '70s disco/funk and the gadgets of electronic composition, Electronica soon became a whole new entity in and of itself, spinning off new sounds and subgenres with no end in sight two decades down the pike.
Almost CD sourced. Bernard Sumner (left) and Johnny Marr (right) of Electronic. Timeless album, and the original vinyl is truly better than the original CD.
After this success, Sumner and Marr took a more commercial direction,[5] blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock. They never got the respect like New Order and The Smiths did, perhaps because it's a side-project; but since they're a "supergroup", expectations on them seem to be higher than usual. This category has only the following subcategory. After a year of intensive recording (and 18 months after "Getting Away with It"), the debut album Electronic was released to critical acclaim[9][10][11][12][13] and domestic commercial success,[14] featuring the Top 10 single "Get the Message" and another Top 40 single, "Feel Every Beat". But this record is nothing great on vinyl. If you have a light tracking force you may skip. The album sold over a million copies worldwide. The track "Lucky Bag" and the name Electronic itself are two of the vestiges of this initial approach. I can't comment on the recent re-issues on vinyl, however. (previous page) 0–9. This list may not reflect recent changes .
Explore releases from Centre Électronique Muusa at Discogs.
Le premier simple Getting Away With It, avec Neil Tennant dans les chœurs, atteignit la 12 e place dans les ventes de simples au Royaume-Uni, et se classe également aux États-Unis en 1990.
The fruits of this union became "Getting Away with It", Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies. The mournful 14th LP by the Bristol electronic pioneer delves deep into grief following the death of his daughter. And unlike him, "Twisted Tenderness" happens to be my favourite album, where Johnny Marr really shines. Discover music on Discogs, the largest online music database. Explore releases from De Electronica's at Discogs. After injuries sustained in a car crash derailed her career, the singer/songwriter returns with life-affirming pop indebted to the '80s and '90s. But on vinyl, there is the offending track, at the start of Side 2, getting in the way. Come on, guys! “Soviet” should be at the end of a side, with “Get The Message” starting the next side.
Instead of spending a small fortune printing photos at the lab or at home, you can make a one-time investment in an electronic picture frame to show off an entire range of photos that can be refreshed anytime. [citation needed] The drums on this record were played by ABC's David Palmer and the string arrangement was written by Anne Dudley. First signed to Factory, later to Parlophone. Raise the Pressure was released in July 1996 on the Parlophone label in the UK and Warner Bros. Like its predecessor it fused dance music with a guitar-led approach, but some reviewers felt its production was too rich and distracted from the songs. I wouldn't go as far as calling him a guitar virtuoso, but that's something you certainly won't hear in New Order's stuff. Though most all early electronica was danceable, by the beginning of the '90s, producers were also making music for the headphones and chill-out areas as well, resulting in dozens of stylistic fusions like ambient-house, experimental techno, tech-house, electro-techno, etc. Contrary to TIM, I like Electronic a lot (as much as New Order) largely because of Bernard Sumner's poignant poetry and stylish vocals.
It doesn't really have a standout moment like "Getting Away With It", but more enjoyable as an album. Fantastic, Fantastic weight, quality, sound, presentation, everything weight, quality, sound, presentation, everything, a perfect item.
Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. It's worth the twenty. The French duo tone down the technicolor in favor of a more expressive sound that's still hooky and fun. The album spawned two guitar oriented singles, "Forbidden City" [UK #14] and "For You" [UK #16], with the dancier "Second Nature" issued in February 1997 and reaching UK #35. Harsh reviews were thrown at them when they made a sub-par album like "Release the Pressure" (though a lot of bands have to sandpaper their eyeballs to make something that good); and when they did make brilliant albums, I don't feel that they were taken seriously. Escape will cancel and close the window. 7243 498345 2 1, 498 3452, 7243 4 98345 2 1, 4983452, Featured Tracks From: Electronic Twisted Tenderness, DYNAMO! I will put it on at least once every year since it came out and am still blown away by the production and quality of each song.
It's just wrong that Side 2 starts with "Gangster" which is probably the weakest song on this. Very clean vinyl (sound and looks). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. Lisa (Japanese musician, born 1974) discography, https://en.wikipedia.org/w/index.php?title=Category:Electronic_music_discographies&oldid=969816920, Template Category TOC via CatAutoTOC on category with 201–300 pages, CatAutoTOC generates standard Category TOC, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 July 2020, at 15:42. Some tracks really don’t sound good. Formed around 1988 by Bernard Sumner (Joy Division, New Order) and Johnny Marr (The Smiths) to follow a more "electronic" style of music, blending synthesizers with guitars and rock with contemporary dance music. They co-wrote the majority of their output between 1989 and 1998,[a] collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. In 1989, Pet Shop Boys singer Neil Tennant suggested a collaboration when he heard of the budding partnership through sleeve designer Mark Farrow. Find Electronic bio, music, credits, awards, & streaming links on AllMusic - Alternative dance super duo formed by Brit-pop… If you can find a copy, worth picking up. Typical for the many styles gathered under the umbrella was a focus on danceable grooves, very loose song structure (if any), and, in many producers, a relentless desire to find a new sound no matter how tepid the results. Reaching back to grab the grooves of '70s disco/funk and the gadgets of electronic composition, Electronica soon became a whole new entity in and of itself, spinning off new sounds and subgenres with no end in sight two decades down the pike.
Almost CD sourced. Bernard Sumner (left) and Johnny Marr (right) of Electronic. Timeless album, and the original vinyl is truly better than the original CD.
After this success, Sumner and Marr took a more commercial direction,[5] blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock. They never got the respect like New Order and The Smiths did, perhaps because it's a side-project; but since they're a "supergroup", expectations on them seem to be higher than usual. This category has only the following subcategory. After a year of intensive recording (and 18 months after "Getting Away with It"), the debut album Electronic was released to critical acclaim[9][10][11][12][13] and domestic commercial success,[14] featuring the Top 10 single "Get the Message" and another Top 40 single, "Feel Every Beat". But this record is nothing great on vinyl. If you have a light tracking force you may skip. The album sold over a million copies worldwide. The track "Lucky Bag" and the name Electronic itself are two of the vestiges of this initial approach. I can't comment on the recent re-issues on vinyl, however. (previous page) 0–9. This list may not reflect recent changes .
Explore releases from Centre Électronique Muusa at Discogs.
Le premier simple Getting Away With It, avec Neil Tennant dans les chœurs, atteignit la 12 e place dans les ventes de simples au Royaume-Uni, et se classe également aux États-Unis en 1990.
The fruits of this union became "Getting Away with It", Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies. The mournful 14th LP by the Bristol electronic pioneer delves deep into grief following the death of his daughter. And unlike him, "Twisted Tenderness" happens to be my favourite album, where Johnny Marr really shines. Discover music on Discogs, the largest online music database. Explore releases from De Electronica's at Discogs. After injuries sustained in a car crash derailed her career, the singer/songwriter returns with life-affirming pop indebted to the '80s and '90s. But on vinyl, there is the offending track, at the start of Side 2, getting in the way. Come on, guys! “Soviet” should be at the end of a side, with “Get The Message” starting the next side.
Instead of spending a small fortune printing photos at the lab or at home, you can make a one-time investment in an electronic picture frame to show off an entire range of photos that can be refreshed anytime. [citation needed] The drums on this record were played by ABC's David Palmer and the string arrangement was written by Anne Dudley. First signed to Factory, later to Parlophone. Raise the Pressure was released in July 1996 on the Parlophone label in the UK and Warner Bros. Like its predecessor it fused dance music with a guitar-led approach, but some reviewers felt its production was too rich and distracted from the songs. I wouldn't go as far as calling him a guitar virtuoso, but that's something you certainly won't hear in New Order's stuff. Though most all early electronica was danceable, by the beginning of the '90s, producers were also making music for the headphones and chill-out areas as well, resulting in dozens of stylistic fusions like ambient-house, experimental techno, tech-house, electro-techno, etc. Contrary to TIM, I like Electronic a lot (as much as New Order) largely because of Bernard Sumner's poignant poetry and stylish vocals.
It doesn't really have a standout moment like "Getting Away With It", but more enjoyable as an album. Fantastic, Fantastic weight, quality, sound, presentation, everything weight, quality, sound, presentation, everything, a perfect item.
Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. It's worth the twenty. The French duo tone down the technicolor in favor of a more expressive sound that's still hooky and fun. The album spawned two guitar oriented singles, "Forbidden City" [UK #14] and "For You" [UK #16], with the dancier "Second Nature" issued in February 1997 and reaching UK #35. Harsh reviews were thrown at them when they made a sub-par album like "Release the Pressure" (though a lot of bands have to sandpaper their eyeballs to make something that good); and when they did make brilliant albums, I don't feel that they were taken seriously. Escape will cancel and close the window. 7243 498345 2 1, 498 3452, 7243 4 98345 2 1, 4983452, Featured Tracks From: Electronic Twisted Tenderness, DYNAMO! I will put it on at least once every year since it came out and am still blown away by the production and quality of each song.
It's just wrong that Side 2 starts with "Gangster" which is probably the weakest song on this. Very clean vinyl (sound and looks). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. Lisa (Japanese musician, born 1974) discography, https://en.wikipedia.org/w/index.php?title=Category:Electronic_music_discographies&oldid=969816920, Template Category TOC via CatAutoTOC on category with 201–300 pages, CatAutoTOC generates standard Category TOC, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 July 2020, at 15:42. Some tracks really don’t sound good. Formed around 1988 by Bernard Sumner (Joy Division, New Order) and Johnny Marr (The Smiths) to follow a more "electronic" style of music, blending synthesizers with guitars and rock with contemporary dance music. They co-wrote the majority of their output between 1989 and 1998,[a] collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. In 1989, Pet Shop Boys singer Neil Tennant suggested a collaboration when he heard of the budding partnership through sleeve designer Mark Farrow. Find Electronic bio, music, credits, awards, & streaming links on AllMusic - Alternative dance super duo formed by Brit-pop… If you can find a copy, worth picking up. Typical for the many styles gathered under the umbrella was a focus on danceable grooves, very loose song structure (if any), and, in many producers, a relentless desire to find a new sound no matter how tepid the results. Reaching back to grab the grooves of '70s disco/funk and the gadgets of electronic composition, Electronica soon became a whole new entity in and of itself, spinning off new sounds and subgenres with no end in sight two decades down the pike.
Almost CD sourced. Bernard Sumner (left) and Johnny Marr (right) of Electronic. Timeless album, and the original vinyl is truly better than the original CD.
After this success, Sumner and Marr took a more commercial direction,[5] blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock. They never got the respect like New Order and The Smiths did, perhaps because it's a side-project; but since they're a "supergroup", expectations on them seem to be higher than usual. This category has only the following subcategory. After a year of intensive recording (and 18 months after "Getting Away with It"), the debut album Electronic was released to critical acclaim[9][10][11][12][13] and domestic commercial success,[14] featuring the Top 10 single "Get the Message" and another Top 40 single, "Feel Every Beat". But this record is nothing great on vinyl. If you have a light tracking force you may skip. The album sold over a million copies worldwide. The track "Lucky Bag" and the name Electronic itself are two of the vestiges of this initial approach. I can't comment on the recent re-issues on vinyl, however. (previous page) 0–9. This list may not reflect recent changes .
Explore releases from Centre Électronique Muusa at Discogs.
First signed to Factory, later to Parlophone. Buy and sell music with collectors in the Marketplace. Who's the genius who thought NOT to include GAWI on this pressing? "—" denotes releases that did not chart or were not released.
Le premier simple Getting Away With It, avec Neil Tennant dans les chœurs, atteignit la 12 e place dans les ventes de simples au Royaume-Uni, et se classe également aux États-Unis en 1990.
The fruits of this union became "Getting Away with It", Electronic's debut single which was released in December 1989 and sold around a quarter of a million copies. The mournful 14th LP by the Bristol electronic pioneer delves deep into grief following the death of his daughter. And unlike him, "Twisted Tenderness" happens to be my favourite album, where Johnny Marr really shines. Discover music on Discogs, the largest online music database. Explore releases from De Electronica's at Discogs. After injuries sustained in a car crash derailed her career, the singer/songwriter returns with life-affirming pop indebted to the '80s and '90s. But on vinyl, there is the offending track, at the start of Side 2, getting in the way. Come on, guys! “Soviet” should be at the end of a side, with “Get The Message” starting the next side.
Instead of spending a small fortune printing photos at the lab or at home, you can make a one-time investment in an electronic picture frame to show off an entire range of photos that can be refreshed anytime. [citation needed] The drums on this record were played by ABC's David Palmer and the string arrangement was written by Anne Dudley. First signed to Factory, later to Parlophone. Raise the Pressure was released in July 1996 on the Parlophone label in the UK and Warner Bros. Like its predecessor it fused dance music with a guitar-led approach, but some reviewers felt its production was too rich and distracted from the songs. I wouldn't go as far as calling him a guitar virtuoso, but that's something you certainly won't hear in New Order's stuff. Though most all early electronica was danceable, by the beginning of the '90s, producers were also making music for the headphones and chill-out areas as well, resulting in dozens of stylistic fusions like ambient-house, experimental techno, tech-house, electro-techno, etc. Contrary to TIM, I like Electronic a lot (as much as New Order) largely because of Bernard Sumner's poignant poetry and stylish vocals.
It doesn't really have a standout moment like "Getting Away With It", but more enjoyable as an album. Fantastic, Fantastic weight, quality, sound, presentation, everything weight, quality, sound, presentation, everything, a perfect item.
Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. It's worth the twenty. The French duo tone down the technicolor in favor of a more expressive sound that's still hooky and fun. The album spawned two guitar oriented singles, "Forbidden City" [UK #14] and "For You" [UK #16], with the dancier "Second Nature" issued in February 1997 and reaching UK #35. Harsh reviews were thrown at them when they made a sub-par album like "Release the Pressure" (though a lot of bands have to sandpaper their eyeballs to make something that good); and when they did make brilliant albums, I don't feel that they were taken seriously. Escape will cancel and close the window. 7243 498345 2 1, 498 3452, 7243 4 98345 2 1, 4983452, Featured Tracks From: Electronic Twisted Tenderness, DYNAMO! I will put it on at least once every year since it came out and am still blown away by the production and quality of each song.
It's just wrong that Side 2 starts with "Gangster" which is probably the weakest song on this. Very clean vinyl (sound and looks). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. Lisa (Japanese musician, born 1974) discography, https://en.wikipedia.org/w/index.php?title=Category:Electronic_music_discographies&oldid=969816920, Template Category TOC via CatAutoTOC on category with 201–300 pages, CatAutoTOC generates standard Category TOC, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 July 2020, at 15:42. Some tracks really don’t sound good. Formed around 1988 by Bernard Sumner (Joy Division, New Order) and Johnny Marr (The Smiths) to follow a more "electronic" style of music, blending synthesizers with guitars and rock with contemporary dance music. They co-wrote the majority of their output between 1989 and 1998,[a] collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. In 1989, Pet Shop Boys singer Neil Tennant suggested a collaboration when he heard of the budding partnership through sleeve designer Mark Farrow. Find Electronic bio, music, credits, awards, & streaming links on AllMusic - Alternative dance super duo formed by Brit-pop… If you can find a copy, worth picking up. Typical for the many styles gathered under the umbrella was a focus on danceable grooves, very loose song structure (if any), and, in many producers, a relentless desire to find a new sound no matter how tepid the results. Reaching back to grab the grooves of '70s disco/funk and the gadgets of electronic composition, Electronica soon became a whole new entity in and of itself, spinning off new sounds and subgenres with no end in sight two decades down the pike.
Almost CD sourced. Bernard Sumner (left) and Johnny Marr (right) of Electronic. Timeless album, and the original vinyl is truly better than the original CD.
After this success, Sumner and Marr took a more commercial direction,[5] blending synthesizers, guitars and analogue technology while retaining the template of contemporary alternative rock. They never got the respect like New Order and The Smiths did, perhaps because it's a side-project; but since they're a "supergroup", expectations on them seem to be higher than usual. This category has only the following subcategory. After a year of intensive recording (and 18 months after "Getting Away with It"), the debut album Electronic was released to critical acclaim[9][10][11][12][13] and domestic commercial success,[14] featuring the Top 10 single "Get the Message" and another Top 40 single, "Feel Every Beat". But this record is nothing great on vinyl. If you have a light tracking force you may skip. The album sold over a million copies worldwide. The track "Lucky Bag" and the name Electronic itself are two of the vestiges of this initial approach. I can't comment on the recent re-issues on vinyl, however. (previous page) 0–9. This list may not reflect recent changes .
Explore releases from Centre Électronique Muusa at Discogs.