richard benson photography

He said things like : "Photography is full of people who have other people do the work. However, the format – lovely images, quiet texts, no complicated diagrams – was quickly persuasive. When he opts to show an example of early colour stencil printing, for example, he chooses a charming double-page spread of red roses from a seed catalogue published in 1900; and for an example of hand-colouring, a beautiful picture of Chinese children carrying babies on their backs, also from 1900. [4] Working in these different mediums, sometimes learning forgotten crafts and sometimes creating new ones, by the 1970s he was convinced that ink and the modern photo offset press—with its ability to make multiple passes that build an image from multiple layers of ink—possessed a potential for photographic rendition beyond anything else previously known. It's comical.". His work is held in the collections of Los Angeles County Museum of Art, Metropolitan Museum of Art, San Francisco Museum of Modern Art and Whitney Museum of American Art. The giveaway word there is "darkroom". Unique and imaginative ideas for your photography. The Printed Picture (published by MoMA but available in the UK), is an attractive, learned, clearly written and sometimes humorous account of the evolution of the printed still image, and is about as far from one of those ponderous "how-to" photography books as it's possible to get. Richard Mead Atwater Benson (November 8, 1943 – June 22, 2017) was an American photographer, printer, and educator who used photographic processing techniques of the past and present. When I looked up the piece, it was written in 1990, and in the intervening years the photographic darkroom has become more or less obsolete, except for a few people like Benson, who continue to work in both analogue and digital . And although he has a good deal of praise for the modern digital print, which he tells us is far better than anything that has gone before it, he still has his eye on an old-fashioned colour printing press for his basement workshop. This man was a unique craftsman, who great photographers and great institutions turned to when they wanted their pictures printed better than ever before. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For the example of a daguerreotype, the early process that captured an image on silvered copper plate, he uses a portrait of a mother and two children, one of which is his maternal great-grandmother, Abby Sophia Greene, born in 1844. First published on Thu 8 Jan 2009 09.14 EST. He had printed photographs by Alfred Stieglitz, Paul Strand and Lee Friedlander, as well as three volumes of the works of great French photographer Eugène Atget for the Museum of Modern Art. "He is perhaps best known for his innovations in photographic offset printing techniques and, later, ink-jet printing. Born in Newport, Rhode Island, Benson began teaching photography at Yale University in 1979 and was dean of the Yale School of Art from 1996 to 2006. He authored a book, The Printed Picture, about photographic printing processes, and taught at Yale for over 30 years. He had made an unsurpassed volume of prints for the collector Howard Gilman, whose collection is now part of the Metropolitan Museum of Art in New York. Nick Benson was named a MacArthur Fellow in 2010, making the Bensons one of two families with multiple MacArthur fellows.[6]. Gradually, he suggests, the "human being … will start to slip out of the big picture and begin to take on a role in the background, planning and directing the show, but no longer the central actor on the stage.". Benson is a photographer, printer and educator who utilizes photographic processing techniques of the past and present. Since then, Benson, who began teaching at Yale in 1979, had been dean of the School of Art, between 1996 and 2006.
Professional nationally and internationally published photographer at your service. Our site uses technology that is not supported by your browser, so it may not work correctly. Benson has a broad range of interests in the photographic print--silver, platinum, palladium, and ink. A photographer and printmaker who embraced the use of offset printing as a fine-art technique for photographic prints. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. "He is perhaps best known for his innovations in photographic offset printing techniques and, later, ink-jet printing. "Benson was awarded two Guggenheim Fellowships and a MacArthur Fellowship. Richard M.A. By way of introduction, Benson writes: "This book grows out of a series of lectures given at Yale University over the last 30 years. Their images are manufactured, manipulated, recorded, broadcast, screened and stored. Thu 8 Jan 2009 09.14 EST The truth is that for some artists, this is already happening. Richard Benson (photographer) From Wikipedia, the free encyclopedia Richard Mead Atwater Benson (November 8, 1943 – June 22, 2017) was an American photographer, printer, and educator who used photographic processing techniques of the past and present. For licensing motion picture film footage it is advised to apply directly to the copyright holders. We use our own and third-party cookies to personalize your experience and the promotions you see. [3][4][5] Benson had a broad range of interests in the photographic print: aluminum,[3] silver, platinum, palladium, and ink. Benson's work is held in the following permanent collections: John Simon Guggenheim Memorial Foundation, "Richard Benson, Photographer and Printer, Dies at 73", "In focus: Liz Jobey looks at the work of photographic printer Richard Benson", "R.I.P., Richard Benson: Photographer, Printer, and Educator", "In Memoriam: Remembering the Photographers We Lost in 2017", "Yale University School of Art: Richard Benson", "Stone Carver Nick Benson Gives Eternity a Run for Its Money", https://en.wikipedia.org/w/index.php?title=Richard_Benson_(photographer)&oldid=967445007, Articles with unsourced statements from January 2019, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 1986: Guggenheim Fellowship, John Simon Guggenheim Memorial Foundation, This page was last edited on 13 July 2020, at 08:43. Benson was awarded two Guggenheim Fellowships and a MacArthur Fellowship. [4], He was the uncle of stone carver Nicholas Benson, the owner of The John Stevens Shop. This site uses cookies to improve your experience and to help show ads that are more relevant to your interests. • The Printed Picture is at the Edward Steichen photography galleries, MoMA, New York, until 1 June 2009, Available for everyone, funded by readers. Explore Richard Benson's 107 photos on Flickr! The nearest the human hand gets to them is the computer keyboard. He acted as dean of the art school there from 1996 to 2006.

Artist, Author, Professor, Printer, Photographer, Richard Benson, Chip Benson, Richard Mead Atwater Benson, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Creative Commons Attribution-ShareAlike License. It was titled, with that deliberate matter-of-factness that New Yorker titles invariably have, "A single person making a single thing". The following pages still retain the tone of a lecture being delivered in the first person.". All rights reserved. Richard Mead Atwater Benson (November 8, 1943 – June 22, 2017)[1] was an American photographer, printer, and educator who used photographic processing techniques of the past and present. In the future, he believes, we will see the end of direct human involvement in picture-making, as digital technology becomes ever more sophisticated. Please. A long time ago I read a New Yorker profile of a master photographic printer called Richard Benson. And so they do: they move in 12 chapters from cave painting and relief printing (a woodblock) to digital processes (laser prints, iris prints, modern inkjet printing and chromogenic prints). I don't do the former and know far too little about the latter, and at the outset I was a rather reluctant student of this book. His work is held in the collections of Los Angeles County Museum of Art, Metropolitan Museum of Art, San Francisco Museum of Modern Art and Whitney Museum of American Art. If you have additional information or spotted an error, please send feedback to [email protected]. Now an exhibition devoted to his work, and his teaching, is showing at the Museum of Modern Art in New York until the end of May. In addition to these anonymous images, there are others by famous photographers of Benson's acquaintance: a still-life, taken and printed by Irving Penn; a picture of Josef Koudelka's "bed" – the outdoor mat on which he slept for years while he was travelling and taking photographs; a series of large-format colour Polaroid prints by Robert Frank, made with a 20in x 24in camera which he'd been given in the 1980s; as well as some of the fine, sombre studies of industrial machinery and architecture that are Benson's own.

Photography is the only medium where you hardly have to do anything anyway, and here they go and get somebody to do the darkroom work. The example that Benson identifies is that of the barcode: an early, crude picture that can be made by a machine and read by a machine. For access to motion picture film stills please contact the Film Study Center. An entire alternative history of photography is here: no "greatest hits", rather a series of individual images, many of them anonymous, from Benson's personal collection. Friendly and open to your ideas, feel free to have a chat with me. When he talks about colour Polaroid prints, he uses a snapshot of his daughter, Abby Sophia Benson, born in 1975. Richard Mead Atwater Benson (November 8, 1943 – June 22, 2017) was an American photographer, printer, and educator who used photographic processing techniques of the past and present. He was a MacArthur fellow in 1986 and received two Guggenheim fellowships.
This record is a work in progress.

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